Over half of Gen Yers say they’d buy art on the web, but most transactions happen in face-to-face contexts, while 49% of online art buyers still prefer visiting physical spaces. So, what in-roads is digital making into the market, and is it the great democratising force it's often made out to be?

After years of operating in hard-to-access, creative silos, the app Fair Art Fair is looking to democratise and streamline the art world and connect creators with collectors by removing many of the traditional hurdles and help bring more attention to unrepresented artists.

Greenhouse Auctions has launched its platform in a bid to make art auctions more transparent and representative of new industry entrants. With an influx of young HNWIs beginning to invest in art, they’re rejecting old models of acquirement and want ones that speak authentically to them.

Viewed as overwhelmingly white, male and London-centric, the British art world is long overdue an attitudinal audit. The White Pube, a platform run by two Gen-Zers, attracts a previously disengaged audience using irreverent humour to critique racial, class and gender bias in the UK art landscape.